Miyamoto Emiko
Trans-Siberian Symphony
Oblivion Sacrifice
MIYAMOTO EMIKO — Keyboardist, Orchestrator
Basic Info
Born: October 5, 1993 — Kyoto, Japan
Joined: 2021
Role: Keys, orchestration, atmospheric design
Upbringing
Emiko grew up in a traditional Kyoto household; her mother taught Japanese calligraphy, and her father worked with classical instruments. She learned piano at 4 and lived a quiet, artistic childhood.
In high school, she discovered symphonic metal — and instantly fell in love with how classical and metal could merge.
Musical Awakening
Her turning point was hearing Kalafina and Nightwish in the same week. She realized metal could be mystical, cinematic, and emotional — and that she could build entire worlds with sound.
By college, she was composing for indie games, experimenting with digital synths, and blending classical with electronic darkness.
Joining Oblivion Sacrifice
Kazuki needed someone who could transform the band from “heavy metal with pirate themes” to “pirate metal opera.” Emiko brought:
atmospheric soundscapes
choral arrangements
orchestral depth
supernatural tonal identity
She made Oblivion Sacrifice sound haunted.
Influences
Yuki Kajiura
Tuomas Holopainen
Motoi Sakuraba
Nobuo Uematsu
Hans Zimmer
Tommy Johansson (orchestration)
Personality
Calm, poetic, analytical — the emotional opposite of Kazuki’s intensity but the perfect balance.
Stage Persona
A sea-sorceress, channeling the spirits of drowned fleets.
Basic Info
Born: October 5, 1993 — Kyoto, Japan
Joined: 2021
Role: Keys, orchestration, atmospheric design
Upbringing
Emiko grew up in a traditional Kyoto household; her mother taught Japanese calligraphy, and her father worked with classical instruments. She learned piano at 4 and lived a quiet, artistic childhood.
In high school, she discovered symphonic metal — and instantly fell in love with how classical and metal could merge.
Musical Awakening
Her turning point was hearing Kalafina and Nightwish in the same week. She realized metal could be mystical, cinematic, and emotional — and that she could build entire worlds with sound.
By college, she was composing for indie games, experimenting with digital synths, and blending classical with electronic darkness.
Joining Oblivion Sacrifice
Kazuki needed someone who could transform the band from “heavy metal with pirate themes” to “pirate metal opera.” Emiko brought:
atmospheric soundscapes
choral arrangements
orchestral depth
supernatural tonal identity
She made Oblivion Sacrifice sound haunted.
Influences
Yuki Kajiura
Tuomas Holopainen
Motoi Sakuraba
Nobuo Uematsu
Hans Zimmer
Tommy Johansson (orchestration)
Personality
Calm, poetic, analytical — the emotional opposite of Kazuki’s intensity but the perfect balance.
Stage Persona
A sea-sorceress, channeling the spirits of drowned fleets.





