It seems like a common trend in the metal world is the progression of more “artsy” bands into lighter and less metal territories. A good example of this would be
Opeth whose latest album
Heritage alienated a large group of their core fan base by dropping all metal elements whatsoever. Many suspected a similar change for
Agalloch upon the release of
Ashes Against the Grain which saw the band strip down most of the Black
Metal elements for a cleaner and more Post
Metal sound. It came as a shock then when
Marrow of the Spirit hit the stores, taking yet another change this album sees
Agalloch turning the Black
Metal knob to full without abandoning many of the elements that made them so unique.
The most noticeable change is the drastically reduced production,
Ashes Against the Grain had a clean and crisp sound that gave the album a gentle and accessible tone.
Marrow of the Spirit drops the quality drastically to give the album a much darker and foreboding tone. When John Haugm said this was going to be their darkest album that would even eclipse
Pale Folklore he wasn't kidding. This is easily their most harrowing release to date being a more full on Black
Metal record than anything they've previously done.
However the change in tone results in one fundamental flaw of
Marrow of the Spirit and that's the favour in style for a much blacker and less original approach. Say for instance
Opeth dropped all their progressive elements and played full on Death
Metal, sure they may be good at the style but it would lack the unique flair that makes
Opeth,
Opeth.
That's the feeling I'm getting
Marrow of the Spirit, it's a great album full of excellent song writing and a brilliant atmosphere but it lacks something that makes
Agalloch so special. Everything is there but the folk elements have been massively reduced which makes for a less original and compelling sound.
For what
Marrow of the Spirit is I like it, I like it a lot. The atmosphere is great, creating a dark forest feeling able to rival the works of
Drudkh and the Black
Metal releases from
Ulver. The mood is a lot more forlorn and darker than anything
Agalloch have done in the past which I like, this is no doubt helped by the poorer production which is another move I approve of. Whereas
Ashes Against the Grain was a rather light album due to the clear production,
Marrow of the Spirit is a cold and bleak album due to the poor production, it creates a really lonely and isolated feeling throughout the music which results in an utterly compelling and intriguing atmosphere.
Personally I didn't feel that dropping a lot of the folk elements was a particularly good move,
Agalloch was always a band that identified itself due to the integration of outside influences such of neofolk, the fact that the band has removed a lot of these elements ultimately results in a collapse of identity and their own personal flair. I understand that
Agalloch likes to experiment with new sounds but removing the major aspect that made them get such a high reputation in the first place strikes me as a rather odd thing to do. It almost seems like they're trying to alienate their original fan base and appeal to the whole Cascadian Black
Metal crowd fore fronted by the now cult legends Wolves in the Throne Room.
Fortunately the Post Rock elements are still there which shows
Agalloch riding the tide created by the Post Black movement. The Watcher's
Monolith is a track that best highlights this and also it is the track with the most
Agalloch mannerisms, featuring clean vocals, neofolk acoustic passages and some great guitar work. This is my personal favourite song on the album because I think it best sums up their new style as it has all the elements
Agalloch have become known for whilst stripping down the production resulting in a more blackened feel.
One other thing that's been bugging me through the album is that it feels like John's harsh vocals have lost some of their punch since their earlier albums, he doesn't sound as powerful as before and sounds more relaxed than another. I understand he's never had the most vicious rasp of all time but there's definitely something here that sounds much more relaxed and soothing than before, this is weird considering the change to a rawer sound. I would have expected his harsh vocals to sound more primal and aggressive rather than anything else. Also there's far less clean vocals than the albums that came before it, this isn't really an inherently bad thing though I do at times tend to miss the clean vocals.
Marrow of the Spirit sees
Agalloch changing their sound for a more Black
Metal style, despite the usual
Agalloch mannerisms they're far less frequent and overall the sound feels somewhat diluted even if the atmosphere is the best they've created since
Pale Folklore. I can definitely see
Marrow of the Spirit dividing their fan base as to where they stand in regards to it. For me I like this album, I like it a lot but it definitely lacks something that made their previous albums so special. I am interested in where this band takes their new direction or they might abandon this direction altogether and head in a completely new musical direction. Only time will tell and I am looking forward to what the future holds for this band.
É necessário que estejas conectado/a para adicionares um comentário