The Epigenesis

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16/20
Band Name Melechesh
Album Name The Epigenesis
Type Album
Data wpisu 01 Październik 2010
Wydawcy Nuclear Blast
Styl muzycznyThrash Black
Zarejestrowanych posiada ten album141

Tracklist

1. Ghouls of Nineveh 06:44
2. Grand Gathas of Baal Sin 05:54
3. Sacred Geometry 05:29
4. The Magickan and the Drones 07:17
5. Mystics of the Pillar 08:28
6. When Halos of Candles Collide 05:38
7. Defeating the Giants 03:24
8. Illumination - The Face of Shamash 05:33
9. Negative Theology 03:47
10. The Greater Chain of Being 06:53
11. The Epigenesis 12:17
Total playing time 1:11:24


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Artykuł @ Crinn

04 Sierpień 2012

12/20.

Melechesh is one of Israel’s biggest metal bands. If you’re a fan of Skeletonwitch or Goatwhore, I would HIGHLY recommend reading this review because you’re in for quite the thrash black treat. I discovered this record early this year through my favorite record label, Nuclear Blast. Having confidence that the label wouldn’t put out a poor record, I decided to give The Epigenesis a listen. Before I found this album, I was positive that Nile was the only Ancient Egyptian-themed extreme metal band, but obviously I was wrong. But unlike Nile, Melechesh doesn’t exactly put as much focus on the mythology part of their music. Melechesh has a wider range of topics that can go as far as having a science fiction view on Egyptian-based Satanism with songs like Grand Gathas of Baal Sin and Sacred Geometry As well as that, you can also find topics of anger towards the corrupt state of Israel and the Middle East in the lyrics. But I’m not really one that likes to pay attention to lyrical themes; it’s all about the music for me.

Melechesh implements more thrash metal into their music than most thrash black bands. Either that or they just took out the melodic and atmospheric aspect that comes with the black metal sound like Marduk and Behemoth have done. But UNLIKE Marduk and Behemoth, they haven’t filled up the hole where the melodic element used to be with speed and brutality; they just leave it barren and empty. Obviously taking a considerable amount of influence from Nile, you can hear those weird Egyptian harmonizations in the guitars every once in a while. Here’s the thing, remember that Nile is a brutal death band, not black metal, so those ambient chords aren’t played in the same fashion. Melechesh place those chords in the thrash metal section, where they’re played in a sort of 90’s hard rock styled progression.

Here’s another thing that will cause to refer me back to Nile: singing. Those Whom the Gods Detest was released one year before The Epigenesis, which means it was possibly during the writing process of the record. I know that Melechesh had some singing in the album before this one, but it’s not buried by the distorted guitars and black metal vocals like in that one. In Sacred Geometry, you get to hear singing that is very crisp and that is obviously wanted to be heard because it stands at the front of the line. There’s nothing wrong with the singing at all, but the sound of his voice doesn’t fit the music at all and actually distracts the listener (not good).

The overall song structure tends to fall apart towards the end of each song. It seems that the band had their creative juices flowing at full-blast for about 80-90% of every song, but then came to the point where they were out of ideas…but they forgot to cap-off the end of each track. In other words, the songs are fantastic but with weak endings. Here’s something that ALL good musicians know: the most important parts of ANY song is the BEGINNING and the END. If you have a weak song, but a very solid beginning and a memorable conclusion, it’ll make it MUCH harder for the listener (with the exception of critics like myself) to notice any negatives and much easier to forget the bad parts. It’s not covering up, but if there’s potential for fuck ups during songs when playing live, as long as the intro and the end of the song are as tight as a baby’s ass, it won’t sound NEARLY as bad.

The end of each song seems to just drag on and grow monotonous VERY quickly. Yes, I can hear that in many of the songs, the band takes a guitar riff from earlier in the song and simply plays it again at the end. But for me, in black metal, I like to hear a completely new section that was crafted specifically for the end of that particular song; it makes it sound like the band cares THAT much more about their music. But then again, sometimes it is in fact the best idea to go back to the intro riff or something like that at the end because it can still sound extremely epic (depending on the riff, of course).

There isn’t much that I can think of to say about the individual members. The drummer is fantastic and was obviously built to be a thrash metal drummer, the guitarists and bassist stay VERY tight with the drummer. The vocalist isn’t THE BEST black metal vocalist that I’ve ever heard, but he fits the music. His screams are pretty weak and have an emotionless and dry sound that doesn’t bring up the music to that extra height. Having some of the old-school thrash sound in the black metal base sounds like it could have been inspired by Goatwhore (for this album in particular). I would give this album 12/20 for being good and solid, but not completely satisfying.

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Barb|Wire|Catheter - 05 Sierpień 2012: What about Born of Osiris?? They're a metal band with Egyptian themes.
Crinn - 05 Sierpień 2012: You're right, I forgot about that, but their themes aren't as obvious and up-front as Nile's (of course Osiris is actually one of the Egyptian devils). But Born of Osiris' topics seem to take on a more science fiction outlook on Egyptian mythology instead of just tackling the raw mythology the way that Nile does.
AlexMetal - 11 Listopad 2015: Noticed that may people are talking about Egyptian themes in Melechesh's songs. I think isn't totally right, as themselves claim about their music to be Mesopotamian metal. Legendary Asyrian empire is also present. Asyria covered the actual territory of Siria and (partially) Irak. Taking into account that the band members said that they are Armenians and Asyrians, I think is correct to talk about Mesopotamian metal, as they said.
AlexMetal - 11 Listopad 2015: Your very technical comments are right as you refer from trash black metal point of view only. I think Melechesh's music is more than trashing black, I would say that Melechesh is a melodic black metal with Middle East influences. Thus, I consider that you are "too severe" in appreciating their music and miss somehow the point that the intention is to bring the sensibility and the key of Oriental music in the Metal.
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Komentarz @ Polonium

13 Kwiecień 2014

Caliphates of the Truth

In this review I will be focusing on Melechesh's 2010 release "The Epigenesis."
For years this band had been providing the underground scene with a unique Middle Eastern influence that distinguished Melechesh, from almost all bands in the world, in both sound and lyrical theme, and this release is not an exception for that matter.

The album was released by "Nuclear Blast" in October 25, 2010 and is the latest full-length album by Melechesh thus far. It starts with "Ghouls of Nineveh"; not a speed in tempo for a starter, still a firm one, well composed song in both lyrical and musical aspects. Then comes the hit song "Grand Gathas of Baal's Sin" and I want to talk a little bit about this song, it is thunderous, amazing, fast, it's a killer and could be considered one of their best. Also the video clip for this song is amazing and well directed by Rouzbeh Heydari.

Of course I am not to focus on each and every song in this album but to sum up a little bit in the review I can say that those songs have one thing in common, they all, except the second track, start in a gloomy way, a little bit boring but a minute or so and you will find yourself in a different reality.
But it's important to talk about the last song "The Epigenesis", this song is really testimony for the greatness of the whole work.

Musically speaking, the album is well composed, great guitar riffs and solos, great drums, great combination between all those musical elements and the vocals are as great as Ashmedi himself. Lyrically speaking, those lyrics are awesome, and as always they speak about those ancient Mesopotamian times. Actually I think that what is so great about this band.

Final word, the cover art is brilliant; the combination between eastern and western elements in such a great fusion is ever creative and will forever create something of value. Great job by Melechesh, hope the best for you guys and really can't wait till the next album, all good wishes to such good bands. If you can handle them, beware, they are highly addictive.

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