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Band Name Spawn Of Possession
Album Name Noctambulant
Type Album
发布日期 31 五月 2006
出版公司 Neurotic Records
音乐风格Technical Death


1. Inception 01:58
2. Lash by Lash 04:10
3. Solemn They Await 03:26
4. Render My Prey 03:56
5. Eve of Contempt 04:13
6. Sour Flow 05:54
7. By a Thousand Deaths Fulfilled 04:07
8. Dead & Grotesque 04:19
9. In My Own Greed 05:25
10. Scorched 04:02
Total playing time 41:30

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评阅 @ Crinn

04 五月 2012

An absolutely crushing tech death album that never fails to impress

Noctambulant is the second release from the Swedish technical death band Spawn of Possession. Although I did really like this album when I first heard it, I never really got into this band until I was given an advanced copy of Incurso, which BLEW ME AWAY. Immediately after finishing my Incurso review, I went back and listened to Noctambulant and was astonished at the colorful and technical creativity that lunged out of my speakers. There are quite a few differences between this album and the other two, but I’m going to focus mainly on Noctambulant by itself with a little comparison with Cabinet. Because when I listen to a band’s sophomore release, I spend most of my focus on how they’ve changed since their debut (which is usually a compilation of older songs).

The creativity that is expressed in Noctambulant is more than enough to make any death metal fan happy. But be warned: if you’re really not into the type of tech death that has a lot of crazy guitar work (commonly referred to as “wankery”), then these guys aren’t for you; but at least give this album and Incurso a couple of good listens so that you can at least say that you gave Spawn of Possession an honest try. For those of you that are mega-fans of artists such as Obscura, Decrepit Birth, Origin, and The Faceless, this record should be paradise.

When you bring up the topic of shitloads of guitar technicality, most of the bands that end up in the conversation play a lot of their really frilly guitar riffs on the really high-pitched end of things (especially evident in The Faceless, Origin, and Rings of Saturn). The unique quality that I love the most about this specific record is that 86.4% of the guitar technicality is in the LOWER and MID-RANGES. Yes, the guitar solos get really high and crazy; but Spawn of Possession expresses the ability to create songs that don’t depend on high-pitched technicality. But of course, the INSTANT you start listening to this album, it’s obvious enough that the guitars aren’t the molten core of Noctambulant’s technicality.

Sometimes you need a break from the technicality and complexity being only in the guitars. That’s why you have tech death bands like Decapitated, Fleshgod Apocalypse, and The Black Dahlia Murder to give you a different kind of technicality that lies in the drums. Obviously, you can tell I’m implying that Spawn of Possession is one of those bands that have a hell of a lot of complexity in the percussion section. So having that uniqueness of the guitar technicality being in the lower and mid-ranges added on top of tons of drum technicality gives you a pretty fucking delicious album.

I’m a fan of Spawn of Possession’s first album, Cabinet. But that doesn’t even compare to the awesomeness of Noctambulant’s sound. Not only one of the biggest steps up, Noctambulant shouldn’t be kicked under the bed to be forgotten, it deserves the title as a good ol’ tech death classic. Although my love for Incurso is a thousand times greater, I would highly recommend this to all technical death fans and just death metal fans in general! I would give this 17/20.

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