The sound of the Bavarian newcomer Last
Grain In The Hour
Glass-is not simply describe, independently is the way the four here celebrate their music. They even call their style as progressive / Post metal. Now, progressive elements are certainly present, but the band now directly in that drawer (I hate drawers, even if they are sometimes useful) to plug would be a mistake. The boys play their own style of the genre with many uses. There are metallic guitars just like rock rhythms, intense aggressive but then again calm and clear voice. Selbiger is very emotional and correspondingly varied.
The EP "Following the River, Finding the Sea" will be tough, and driving "fork in the Glasseye" opened at the Christopher sometimes strained his vocal cords and quite powerful and emotional shoutet.
"Metropolis" is then clearly works to moderate, variable song of the times very quietly, sometimes whispering and talking and then back hard and aggressively presented. But to me the aggressive one or the other body does a bit.
"The
Derelict Yellow House" is a song of the well because of the Friends of progressive music should appeal. Very fun and playful, but without exaggerating.
And how often this kind of music is not immediately kindling. This song you need to explore.
The last number "1500 Miles
North" is a bit easier to digest. Here calm and aggressive parts from each other, according to the motto - They kissed and she suggested that -.
Fazit:The four Bavaria lay a good debut before what can be heard. From others I have
Neurosis as a cross-reference, so I will neither confirm nor refute. Just
Antichrisis I could cite, as the song reminds me of these places also formation. LGITH plays my opinion, too independent to be exposed to such comparisons. I hope for the Force that there are a few more grains in the hourglass so they can serve us.
gelal
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