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Band Name Pandemonium (PL)
Album Name Misanthropy
Type Album
Data de lançamento 10 Março 2012
Labels Pagan Records
Recorded at ViriamArt Studio
Estilo de MúsicaBlack Death
Membros têm este álbum2


 The Black Forest
 God Delusion
 Necro Judas
 Stones Are Eternal
 Avant-Garde Underground
 Everlasting Opposition
 Only the Dead Will See the End of War

Total playing time: 41:34

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Crítica @ GandhiEgo

29 Maio 2012

Only the persistent will be praised. Hail Pandemonium!

Pandemonium is probably one of the longer lasting bands still in activity in Poland but yet they never quite really expanded outside their domestic boundaries. While the rest of the world became enthralled with the likes of Vader or Behemoth, Pandemonium remained much of this time in their shadows and while the act has a very decent fanbase in Poland, they never really made it in a worldwide way.

There may be some explanations to this though. Even though they formed back in 1989, it took them some five years to release their debut and if you were “active" back in 1994, you ought to remember this wasn’t exactly the best of years for an extreme metal band to release its debut. Three years earlier and a more established label might have helped them being pinpointed on the map of metal giants, but history can never be rewritten.

Their occult and sometimes very experimental take on music probably didn’t help either. For those acquainted with their earlier releases, it’s hard to fathom that The Zonei, for instance, would gain recognition with premises of what eventually would be one of last year’s most controversial albums: Illud Divinum Insanus or, to stick to something more Polish, in the vein of avant-garde masters Tenebris.

Still, more than twenty years later, Pandemonium is still there. With the promotional release soberly entitled “Promo 2010” featuring two new tracks and the hard work of their management Gods Ov War, people in the scene knew something big would come again from the minds of occult Black Death legends Pandemonium. With a hiatus of five years between Hellspawn and Misanthropy, their latest messe noire, fans and new heads were entitled to deserve something big.

And Misanthropy is big.

For those that had the chance to listen to the Promo 2010, we start in well known territory as the first two tracks featured are taken off of it. Known but twisted territory as both The Black Forest and God Delusion haven been mixed in a different and subtler way than on the promo giving also the leitmotiv of the record to come. Bathed in occult atmospheres, Pandemonium delivers classy Black Death metal from the start. And while the Promo tracks were a bit less refined, here they sound like a great start setting the story of what's to come.

Musically Pandemonium plays down to mid-paced Death Metal with a few incursions in Black Metal. The vocals embrace the whole panel displayed in extreme genres but the interlaced intricacy and the production make them sound like a long Sumerian incantation lasting more than 40 minutes. Screamed, whispered or even spoken (in Polish!), vocals are buried within the mix making them an integral part of the songs rather than something above them. In this regard, the treatment is very similar to that of Witchrist’ except the comparison stops only at vocals because musically Pandemonium and the kiwis are just too far apart.

To add more bits of Orientalism, the band features guest vocals from a female singer giving tracks like Stones are Eternal or the title track Misanthropy Arabic accents. Not mentioning the use of a la Far Eastern keys which give a flavor in between Killing Joke’s Pandemonium and Necros Christos. To those of you that were a bit disappointed with the synth orgy in The Zonei, Pandemonium probably heard the feedback. Keys are now well integrated within the music and contribute to the narrative force of Misanthropy rather than stand on top of it.

The comparison with Necros Christos does not stop there either as both bands show that Death Metal is not only about blasting (well, we love those too but here's not the point) but also about atmospheres. And this is in this regard that Pandemonium graces us with black beauty telling their story even though they haven’t released something ultra brutal or fast.

If you like your music bathed in mystical atmospheres, then look no further. You had Death of the Occult in 2011 and in 2012 you have Misanthropy. After 20+ years of presence, Pandemonium might well have released their masterpiece, their landmark, and earned their own fifteen minutes (or more, so we wish) of fame. As the song says Only the dead will see the end of war, but only the persistent will be praised. Hail Pandemonium!

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