Theatre Of Tragedy : Stavanger, Norway (2001)

Gothic Metal / Norway
(2001 - лейбл неизвестен)
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1. AOEDE

Parch'd of words, parch'd of lauds,
Lorn and tyned fro my wame -
'Seech I more perforce indeed:
Lap I of thee: Thou art want.

With dulcet gust thine floret,
Which I yet would not do -
Pray I thee for thine avail -
Lave me in it; I want more!

For my loe, not be adust.

Come see as the wind: Chant -
I let thee come in -
Come see as the wind, Aoede.

As of lote - upon thee dote,
Lowing 'tis, true forsooth,
Tisn't a tongue, nay merely mote,
Thou art grandly mae than couth':
Eft and e'er doth it eke -
I am what I do behold.

For my loe, not be adust.

Come see as the wind: Chant -
I let thee come in -
Come see as the wind, Aoede.


2. MACHINE

Look up here
Look down there
I am the new man
I'm tangled in wires
Chipset adept
Memory load
Keep your vogue code that all have
Tomorrow's world we've all seen
Keep your modern ways
And keep your bugs
The Metal Man is here to stay

Talk talk
You say I only work, all night and day
Talk talk
Do say 'Use me, I'm cheap to rent'

Computerised
Voice synthesised
Call me the mech man
In a world of machines
What can I do but to serve
Store the data and calculate
Speak and spell and operate
Engineer the rail and motorway
Automaton of yesterday

Talk talk
You say I only work, all night and day
Talk talk
Do say 'Use me, I'm cheap to rent'


3. VENUS

Circa mea pectora multa sunt suspiria
De tua pulchritudine, que me ledunt misere.

Venus! - I trow'd thou wast my friend -
Professed to Heaven thou wouldst send;
As a disciple of a villain
Didst thou act the tragedienne.

Iam amore virginali totus ardeo.
Amor volat undique, captus est libidine.

Venus! - I trow'd thou wast my friend -
Professed to Heaven thou wouldst send;
As a disciple of a villain
Didst thou act the tragedienne.

Iam amore virginali totus ardeo.
Circa mea pectora multa sunt suspiria
De tua pulchritudine, que me ledunt misere.
Tui lucent oculi sicut solis radij,
Sicut splendor fulguris, qui lucem donat tenebris.


4. COMMUTE

Mobile phones
Commuter trains
The Terminus is full of men
Crisscross network
Zigzag railway
The next stop is Waterloo

White-collar timetable
9 to 5 urban robot

Standby, I'm on a trip with you
Standby, I thought it lasted through
Standby, I'm on a trip with you
It's more fun to commute

Take the Tube
Take the M25
There's traffic jam all around
Double-decker
A fare to Chequers
To tell about my points of view

Standby, I'm on a trip with you
Standby, I thought it lasted through
Standby, I'm on a trip with you
It's more fun to commute

Public transport
No need for comfort
It's all so and so, touch-and-go
Pass a train wreck
Call the tube-tech
I'll make it to work some other day

White-collar timetable
9 to 5 urban robot

Standby, I'm on a trip with you
Standby, I thought it lasted through
Standby, I'm on a trip with you
It's more fun to commute

He pulls
She pushed
I read the papers in the transit lounge
I dial the number
Now I'm certain
I'll make it home some other day


5. AND WHEN HE FALLETH

"Be my kin free fro varnal sin,
Bridle the thoughts of thy Master."
"There hath past away a glore fro the Earth;
A glore that in the hearts and minds of men,
Men dementéd - blindfoldéd by light,
Hourisheth as weed in their well-groom'd garths."

"Might I too was blindfoldéd ere,
"The quality of mercy and absolution,
Tho' years have master'd me
Whence cometh such qualities?
A masque of this to fashion:
Build thyself a mirror in which
Seer blest, thou best philosopher!"
Solely wanton images of thy desire appear!"

"'Tis the Divine Comedy -
"'Tis the Divine Tragedy -
The fool and the mocking court;
The fool and the mocking court;
Fool, kneel now, and ring thy bells!
Fool, kneel now, and ring thy bells!
We hold the Earth fro Heaven away."
Make us guffaw at thy futile follies,
Yet for our blunders - Oh, in shame;
Earth beareth no balm for mistakes -
We hold the Earth fro Hell away."

"Believe? In a deily long dead? -
I would rather be a pagan suckléd in creeds outworn;
Whith faertytales fill'd up in head;
Thoughts of the Book stillborn."

"Shadow of annoyance -
Ne'er come hither!
...And when He falleth, He falleth like Lucifer,
Ne'er to ascend again..."

[ Dialog from "And when He Falleth" ]

[Male Voice]
That cross you wear around your neck;
is it only a decoration, or are you a
true Christian believer?

[Female Voice]
Yes, I believe - truly

Then i want you to remove it at once!
- and never to wear it within this castle
Again! Do you know how a falcon is trained my
Dear? Her eyes are sown shut. Blinded temporarily
She suffers the whims of her god patiently, until
Her will is submerged and she learns to serve -
As your god taught and blinded you with
Crosses.

You had me take off my cross because it
Offended....

It offended no-one. No - it simply appears
To me to be discourteous to... To wear
The symbol of a deity long dead.

My ancestors tried to find it. And to open
The door that seperates us from our creator.

But you need no doors to find god.
If you believe....
Believe?! If you believe you are gullible.
Can you look around this world and believe
In the goodness of a god who rules it?
Famine, pestilence, war, disease and death!
They rule this world.

There is also love and life and hope.

Very little hope i assure you. No. If a god
Of love and life ever did exist... He is long
Since dead. Someone... Something rules in his
Place.


6. CRASH / CONCRETE

Head crash - I can't see you
Spit teeth - I can hear you
I feel your pounding me onto the street
I've learned to know the taste of concrete

Why don't you follow me ?

Street brash - time flies, tick-tock
Eyes flash - feels like electroshock
I feel the blood gushing, crumbling away
I know this marks the end of my hey-day

Why don't you follow me ?


7. ...A DISTANCE THERE IS

Come in out of the rain thou sayest - but thou ne'er step'st aside;
And I am trapp'd -
A distance there is...
None, save me and the bodkin - pitter-patter on the roof:
Behold! - 'tis not the rain; thence me it has to be -
I will not drink thy vintage wine, my dear;
Thou hast heed'd that I am of innocence, yet thou let'st thy lass into peril
-
Thou let'st me be parched;
My heart is of frailty, my pale skin is hued damask.
When thou thy tears hast hidden, "Come back!", thou sayest -
There I soon am to be - but how am I to run when my bones, my heart!
Thou hast me bereaft! -
But run thou sayest; I run -
And there and then I behold that a time will come when I again dead will be.
Thou tell'st me to leave without delay -
I leave with my bodkin and my tears in my hands;
Lo! - the shadows, the sky - descending;
So by a dint of smite I gait ere I run and melt together with dusk.
In my mind in which is this event,
But it seems as if naught is to change anyway?!
After all these years thou left'st me down in the emotional depths -
The sombre soaked velvet-drape is hung upon me,
Turning my feelings away from our so ignorant world:
All the beatiful moments shared, deliberatlely push'd aside -
...a distance there is...


8. FRAGMENT

Broken frames
Shattered glass
Like a monochrome film
The replaceable background
Flickers and dissolves
Out of control

There's no sense, it's all Volta, Amphere and Ohm
Earth to Moon, it's the same as London-Rome

Out of focus, blurred image
As solid as a liquid monument
A second of life
The time-frame of '69
Technology, machinery, humanity
It's all the same

There's no sense, it's all Volta, Amphere and Ohm
Earth to Moon, it's the same as London-Rome

Time and age, what's the difference
Based upon the same reference
Touch-and-go, who's to know the random order
Contorted, distorted it doesn't make any sense at all
A fragment, a segment - bits and pieces, bits and Hz
Angular, circular
It's all the same

There's no sense, it's all Volta, Amphere and Ohm
Earth to Moon, it's the same as London-Rome


9. CASSANDRA

He gave to her, yet tenfold claim'd in return -
She hath no life but the one he for her wrought;
Proffer'd to her his wauking heart - she turn'd it down,
Riposted with a tell-tale lore of lies and scorn.

Prophetess or fond?,
Tho' her parle of truth:
"I ken to-morrow - refell me if ye can!",
Yet the kiss and breath - Apollo's bane -
Sëer of the future, not of twain,
"Sicker!", quoth Cassandra.

Still, is she lief and quaint in his eyne, a sight divine? -
A mistress fuell'd by his prest haughtiness -
If he did grant, wherefore then did he not foresee,
Belike egal as it to him might be?!

Prophetess or fond?,
Tho' her parle of truth:
"I ken to-morrow - refell me if ye can!",
Yet the kiss and breath - Apollo's bane -
Sëer of the future, not of twain,
"Sicker!", quoth Cassandra.

'Or was he an eried being,
'Or was he weening - alack nay mo;
Her naysay' raught his heart,
Her daffing was the grave of all hope -
She belied her own words,
He thought her life, save moreo'er scourge,
She held him august, yet wee;
He left her ne'er without his heart.


10. RETROSPECT

Here we are
We stand in line
One more time today
There is no sense
The cigarette in hand
It's all gone bad
No name, privilege, no hope and fame

We've seen it all before
And it seems like a mirror of our future

We were waiting for something
We were listening to the heartbeats
It could take us
It could take our names; it's the same as no hope and fame

We've seen it all before
And it seems like a mirror of our future

This is no age for us
It seems we're out of class
We are fragile
Like statues made of sand

We've seen it all before
And it seems like a mirror of our future


11. ON WHOM THE MOON DOTH SHINE

(No lyrics available)


12. IMAGE

You act a pansy, pushover
Do live your fancy, go lower
Who is that, something says your name
You seem chancy, moreover
The call is mine

I'm gonna get you up
I wanna get on top
The call is mine

On the skew, you're dancing all over
You are the anti-fashion statement
In a blue suit, orange pullover
You look like my old dog Rover

I'm gonna get you up
I wanna get on top
The call is mine


13. BACCHANTE

Ado with a mean woe,
An ado as aglow:
Belying the paynim
Thou rewrot'st the tome -
An ivy-crown'd and dancing,
And fawn'd and trancing -
Espying the surly wud,
And heeding her not.

Celebration

Afear'd of Bacchante,
And dost thou 'hold the yill? -
Behind is the sleepless;
Eyne 'holding na mo.

Celebration

«Onto the paper scribe I the words that fro my heart move -
With every dight letter, with the ebb of ink,
The point of the quill my penmanship doth mirror;
Tales of theft and adultery,
Tales of devilment and witchery -

Tales of me.

Celebration Bacchari


14. RADIO

Electric broadcast
The new transmission waves
Turn the dial
Transistor radio
The deadpan voice I want to hear
Receive the news
Receive the tunes
We've tuned in to the ether melody
It's bright and clear and full of energy
Music won't stop
Electro pop
Commercial workshop
I want your time, I need your time to make a rhyme

On the radio now
Ether melody news
For you and me

Antennae beaming sound, news and speech
Marconi's words
'Let it be so'
Apparatus signal it out
Information
Communication
We're in the building of the wireless voice
Static morse
Radar, television
The interference
Incoherence
Scrambled signals
I want your waves
Spectral sound
Tune in, tune out

On the radio now
Ether melody news
For you and me

Radio for you and me
The airwaves are fully free
Radio for you and me
Oscillating energy

On the radio now
Ether melody news
For you and me


15. DER TANZ DER SCHATTEN

"Meine Augen sind so dunkel,
"Gleichwohl hast Du Deine Augen versteckt
Auch sind die Visionen schwarz,
Lichtschein hinter der Dunkelheit;
Schwarz wie die Nacht;
Ein Licht das mir gezeigt hat,
Der Dämmerzustand des Menschen -
Daß Du von Angst erfüllt bist.
Ist meine Zeit des Daseins."
Erzähle mir bitte
Warum Du diese Angst in Dir trägst!"

"Ich bin so alleine;
Einsamkeit in Ewigkeit -
Gedanken nur für mich,
Mit dem Schatten flüstere ich -
Mit dem Schatten tanze ich -
Einsam wandere ich,
Das Blut begehre ich: Totentanz."

"Den tödlichen Kuß zu empfangen;
"Tanze nicht mehr mit dem Schatten,
Folge der Finsternis in das Nichts! -
Tanze bitte nicht über das Grab;
Süßer Nektar auf Deinen Lippen;
Tanze mit mir den Walzer Luzifers.
Ein Rinnsal blutfeuchtes Leben,
Ich sehne mich Deine Braut zu sein
Ich lecke die Liebe aus Deinem Gesicht,
- Um zu Finsternis zu werden."
Ich lecke den Haß aus Deinem Gesicht."

"Ein so berauschendes Gefühl:
"Für immer und unendlich:
Meine bittere Existenz zu schmecken!"
Ein Seelsorger Deiner bin ich."

"Laß mich Deinen Kuß begrüßen;
Den selbstzerstörerischen Kuß..."

"Gebe Dich mir hin!
Ich war von Trauer erfüllt,
Ich war so untröstlich,
"... Bis ich sterbe, umarme mich,
Doch Du hast die Liebe entfacht..."
Und ich werde wieder auferstehen...
Ich liebe Dich..."

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