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Тексты песен
1. My Wall
[Anderson / Cope / O'Malley / Preston]
And I do walk upon Wan's Dyke
And I do survey the land
And I did become the Reaper
with my own bare hands
For I am Wodan,
Though, some call me Hermes,
Some call me Roman Mercury,
God of cargos/God of weather
Hanging God of boundaries
Hanging God of Gibbet Hill
Killing God of hidden doorways
Spinning the yarn
from Wansdyke to Silbury
Spinning the taelbook/Telling the tale
Telling the tellbook to all and sundry
Keltiberian and Irish Gael
Then I hear camp followers bellow afar
Their shrieking lament for Johnny Guitar
Look to the farthest far horizon
Look to the bloodlust deepest scar
Look to the scattering Brythonic uprising
For this be the wall of Johnny Guitar
This be the ditch that you shall die in
Here be the wall that I shall cry on
Ditch dug with antler and ox bone shovel
This rising wall that
shades our ancient hovel.
Look to the north a quick mile yonder
Look to our Yggdrasilbury
Look to the Saxon chasing Viking
Look to the Norman chasing Saxon
Look to the German chasing German,
German German, German German
Here in the bloodlust deeper scar
For here be the wall of Johnny Guitar
Play your gloom axe Stephen O'Malley
Sub bass clinging to the sides of the valley
Sub bass ringing in
each last ditch and combe
Greg Anderson purvey a sonic doom.
To rage in sound this valiant despair
Doom and gloom as each a splendid pair
To rage in sound the valiant despair
Not Abraham/Not Moses/Not Christ
Neither Jove to whom we sacrificed
Not Attis/Not Mohammed
But to hilltop Thor
We rave and dance and weep
and we implore:
Look to the farthest far horizon
Don't blame the messenger!
Don't blame the messenger!
Look to the farthest far horizon
Don't blame the messenger!
Don't blame the messenger!
For I am Death so Ragnarock with me
For I am Doom so Ragnarock with me
And I stood upon Wan's Dyke
And I did survey the land
And I did become the Reaper
with my own bare hands...
And then I was King Vikar
with his arms outstretched
And then I was King Vikar
with his broken neck
And then I was
the villain and the victim and the priest
Was grim misunderstanding
and was grim as death itself
My Wall
My Wall
caught in the thrall of My Wall
My Wall
My Wall
caught beneath the thrall of My Wall
Here in the bloodlust deeper scar
For here be the wall of Johnny Guitar
Here in the bloodlust deeper scar
For here be the wall of Johnny Guitar
Play your gloom axe Stephen O'Malley
Sub bass ringing the sides of the valley
Sub bass climbing up
each last ditch and combe
Greg Anderson purvey a sonic doom.
Stand in the thrall
Stand in the thrall
Stand in the thrall of my tidal wall
Stand in the thrall
Stand in the thrall
Stand in the thrall of my tidal wall
Stand in the thrall
Stand in the thrall
Stand in the thrall of my tidal wall
Mothers to your bosoms
Grab your child and sing
As to your breasts, cascade and sing
Brothers and fathers down to
The thing
In the middle of the town to judge at
The thing
These the effeminate priests of Frey
That don their drag
And shriek through the day
That drag their God
through muddiest fields
Spilling seed to raise the yields
These the odd castrated womb-men
On this onerous land of no men
There the infernal priestess or Freyja
These her people layer on layer
There the infernal priestess of Freyja
Visiting the farms/The seething seer
Visiting the farms/And rarely leaving
Mounting the tumulus/The people grieving
Dodens doddering dead and dying, oh...
Hear the modest priests of Ing
Who's harkening always let us sing
That let us free our tightest waistband
Lets us fertilise our own land
Spunked entire nations from one phallus
Spunked the vegetation into being
Spilled the super seed
into the one day superceded earth!
Old Mother Fucker/She was a cocksucker
To give her poor family a home
Went down on their ding dong
And drank for a sing song
But ended her sad life alone.
Around the church in Yatesbury, the dead
lie scattered underneath the sacred yew
as Sheila The Witch
attending sunday prayer
praises a God but never tells them who
and from my wall
observing Sheila The Witch
praises her God
but never explaining which
And every Monday night
by the light of Moon, those
Meddlesome Meddlesome Meddlesome Bells, and the heavy metal of the
Heathen Bells
Meddlesome Meddlesome Meddlesome
Bells, and the bad heavy metal of the Heathen bells
Meddlesome Meddlesome Meddlesome Bells, and the heavy metal of the
Heathen Bells
Meddlesome Meddlesome Meddlesome
Bells, and the bad heavy metal of the Heathen bells
And Doggen can testify to my claim
That the Christians of Yatesbury
are Christian in name
but their stomping/pounding actions attest
To their Christianity happiest at rest
And Doggen who played
at the John Stewart Hall
Can attest that its keeper
is the heathenest of all!
Is a shapeshifter tending
to her hogweed hidden
And her dear Paul wallows
in the village pond nay midden
For all of us are boundaried
by Wan's Dyke at the west,
and the great world hill which spies us,
and can never let us rest.
Bringing on Iranian Mithra
From its home beneath the east
Caught always in the thrall of my wall
Caught always in the thrall of my wall
Stand in the thrall
Stand in the thrall
Stand in the thrall of MY WALL
Stand in the thrall
Stand in the thrall
Stand in the thrall of MY WALL
Stand in the thrall
Stand in the thrall
Stand in the thrall of MY WALL
Here in the bloodlust deeper scar
For here be the wall of Johnny Guitar
Here in the bloodlust deeper scar
For here be the wall of Johnny Guitar
Play your gloom axe Stephen O'Malley
Sub bass ringing the sides of the valley
Sub bass climbing up
each last ditch and combe
Greg Anderson purvey a sonic doom
Don't blame the messenger of gloom
Don't blame the messenger of doom
For this be the Ragnarockingest aeion
In stillness, O'Malley, Anderson,
play on... play on... play on... play on...
2. The Gates Of Ballard
[Anderson / Gammelsaeter / Preston / Ritter]
Håvard Hedde
Eg heiter Håvard Hedde, og er so ven ein kar.
No vil eg burt og gifta meg og rydja meg ein gard.
Eg bur upp under fjell,
og gjenta hev eg lova. Eg svik ho inkje hell!
Eg heiter Håvard Hedde og bur upp under nut;
No vil eg burt og gifta meg, eg vil 'kje lenger ganga gut.
Eg bur upp under fjell,
og gjenta hev eg lova. Eg svik ho inkje hell!
Garden han er liten, men skogen han er god.
Der heve eg tvo furor, og dei skal stå i ro.
Eg bur upp under fjell,
og gjenta hev eg lova. Eg svik ho inkje hell!<
Når borni dei vert mange, og skuldi aukar på.
So høgg eg ned den eine, den andre ho lyt stå.
Eg bur upp under fjell,
og gjenta hev eg lova. Eg svik ho inkje hell!
Men når me verte gamle og kvar skal hava sitt,
so høgg eg ned den andre, og då er skogen kvitt.
Eg bur upp under fjell,
og gjenta hev eg lova. Eg svik ho inkje hell!
Det var no ikkje undrands, at Håvard totte vondt;
Han reiste ifrå Lanje: Den myrke Haustenott.
Eg bur upp under fjell,
og gjenta hev eg lova. Eg svik ho inkje hell!
Han reiste ifrå Lanjei, og då var gjenta fest;
Men det var med ein annan, det hev han trega mest.
Eg bur upp under fjell.
Og gjenta hev eg lova - ho sveik meg likevel.
3. A Shaving Of The Horn That Spread You
[Gammelsaeter / O'Malley / Preston]
[Anderson / Cope / O'Malley / Preston]
And I do walk upon Wan's Dyke
And I do survey the land
And I did become the Reaper
with my own bare hands
For I am Wodan,
Though, some call me Hermes,
Some call me Roman Mercury,
God of cargos/God of weather
Hanging God of boundaries
Hanging God of Gibbet Hill
Killing God of hidden doorways
Spinning the yarn
from Wansdyke to Silbury
Spinning the taelbook/Telling the tale
Telling the tellbook to all and sundry
Keltiberian and Irish Gael
Then I hear camp followers bellow afar
Their shrieking lament for Johnny Guitar
Look to the farthest far horizon
Look to the bloodlust deepest scar
Look to the scattering Brythonic uprising
For this be the wall of Johnny Guitar
This be the ditch that you shall die in
Here be the wall that I shall cry on
Ditch dug with antler and ox bone shovel
This rising wall that
shades our ancient hovel.
Look to the north a quick mile yonder
Look to our Yggdrasilbury
Look to the Saxon chasing Viking
Look to the Norman chasing Saxon
Look to the German chasing German,
German German, German German
Here in the bloodlust deeper scar
For here be the wall of Johnny Guitar
Play your gloom axe Stephen O'Malley
Sub bass clinging to the sides of the valley
Sub bass ringing in
each last ditch and combe
Greg Anderson purvey a sonic doom.
To rage in sound this valiant despair
Doom and gloom as each a splendid pair
To rage in sound the valiant despair
Not Abraham/Not Moses/Not Christ
Neither Jove to whom we sacrificed
Not Attis/Not Mohammed
But to hilltop Thor
We rave and dance and weep
and we implore:
Look to the farthest far horizon
Don't blame the messenger!
Don't blame the messenger!
Look to the farthest far horizon
Don't blame the messenger!
Don't blame the messenger!
For I am Death so Ragnarock with me
For I am Doom so Ragnarock with me
And I stood upon Wan's Dyke
And I did survey the land
And I did become the Reaper
with my own bare hands...
And then I was King Vikar
with his arms outstretched
And then I was King Vikar
with his broken neck
And then I was
the villain and the victim and the priest
Was grim misunderstanding
and was grim as death itself
My Wall
My Wall
caught in the thrall of My Wall
My Wall
My Wall
caught beneath the thrall of My Wall
Here in the bloodlust deeper scar
For here be the wall of Johnny Guitar
Here in the bloodlust deeper scar
For here be the wall of Johnny Guitar
Play your gloom axe Stephen O'Malley
Sub bass ringing the sides of the valley
Sub bass climbing up
each last ditch and combe
Greg Anderson purvey a sonic doom.
Stand in the thrall
Stand in the thrall
Stand in the thrall of my tidal wall
Stand in the thrall
Stand in the thrall
Stand in the thrall of my tidal wall
Stand in the thrall
Stand in the thrall
Stand in the thrall of my tidal wall
Mothers to your bosoms
Grab your child and sing
As to your breasts, cascade and sing
Brothers and fathers down to
The thing
In the middle of the town to judge at
The thing
These the effeminate priests of Frey
That don their drag
And shriek through the day
That drag their God
through muddiest fields
Spilling seed to raise the yields
These the odd castrated womb-men
On this onerous land of no men
There the infernal priestess or Freyja
These her people layer on layer
There the infernal priestess of Freyja
Visiting the farms/The seething seer
Visiting the farms/And rarely leaving
Mounting the tumulus/The people grieving
Dodens doddering dead and dying, oh...
Hear the modest priests of Ing
Who's harkening always let us sing
That let us free our tightest waistband
Lets us fertilise our own land
Spunked entire nations from one phallus
Spunked the vegetation into being
Spilled the super seed
into the one day superceded earth!
Old Mother Fucker/She was a cocksucker
To give her poor family a home
Went down on their ding dong
And drank for a sing song
But ended her sad life alone.
Around the church in Yatesbury, the dead
lie scattered underneath the sacred yew
as Sheila The Witch
attending sunday prayer
praises a God but never tells them who
and from my wall
observing Sheila The Witch
praises her God
but never explaining which
And every Monday night
by the light of Moon, those
Meddlesome Meddlesome Meddlesome Bells, and the heavy metal of the
Heathen Bells
Meddlesome Meddlesome Meddlesome
Bells, and the bad heavy metal of the Heathen bells
Meddlesome Meddlesome Meddlesome Bells, and the heavy metal of the
Heathen Bells
Meddlesome Meddlesome Meddlesome
Bells, and the bad heavy metal of the Heathen bells
And Doggen can testify to my claim
That the Christians of Yatesbury
are Christian in name
but their stomping/pounding actions attest
To their Christianity happiest at rest
And Doggen who played
at the John Stewart Hall
Can attest that its keeper
is the heathenest of all!
Is a shapeshifter tending
to her hogweed hidden
And her dear Paul wallows
in the village pond nay midden
For all of us are boundaried
by Wan's Dyke at the west,
and the great world hill which spies us,
and can never let us rest.
Bringing on Iranian Mithra
From its home beneath the east
Caught always in the thrall of my wall
Caught always in the thrall of my wall
Stand in the thrall
Stand in the thrall
Stand in the thrall of MY WALL
Stand in the thrall
Stand in the thrall
Stand in the thrall of MY WALL
Stand in the thrall
Stand in the thrall
Stand in the thrall of MY WALL
Here in the bloodlust deeper scar
For here be the wall of Johnny Guitar
Here in the bloodlust deeper scar
For here be the wall of Johnny Guitar
Play your gloom axe Stephen O'Malley
Sub bass ringing the sides of the valley
Sub bass climbing up
each last ditch and combe
Greg Anderson purvey a sonic doom
Don't blame the messenger of gloom
Don't blame the messenger of doom
For this be the Ragnarockingest aeion
In stillness, O'Malley, Anderson,
play on... play on... play on... play on...
2. The Gates Of Ballard
[Anderson / Gammelsaeter / Preston / Ritter]
Håvard Hedde
Eg heiter Håvard Hedde, og er so ven ein kar.
No vil eg burt og gifta meg og rydja meg ein gard.
Eg bur upp under fjell,
og gjenta hev eg lova. Eg svik ho inkje hell!
Eg heiter Håvard Hedde og bur upp under nut;
No vil eg burt og gifta meg, eg vil 'kje lenger ganga gut.
Eg bur upp under fjell,
og gjenta hev eg lova. Eg svik ho inkje hell!
Garden han er liten, men skogen han er god.
Der heve eg tvo furor, og dei skal stå i ro.
Eg bur upp under fjell,
og gjenta hev eg lova. Eg svik ho inkje hell!<
Når borni dei vert mange, og skuldi aukar på.
So høgg eg ned den eine, den andre ho lyt stå.
Eg bur upp under fjell,
og gjenta hev eg lova. Eg svik ho inkje hell!
Men når me verte gamle og kvar skal hava sitt,
so høgg eg ned den andre, og då er skogen kvitt.
Eg bur upp under fjell,
og gjenta hev eg lova. Eg svik ho inkje hell!
Det var no ikkje undrands, at Håvard totte vondt;
Han reiste ifrå Lanje: Den myrke Haustenott.
Eg bur upp under fjell,
og gjenta hev eg lova. Eg svik ho inkje hell!
Han reiste ifrå Lanjei, og då var gjenta fest;
Men det var med ein annan, det hev han trega mest.
Eg bur upp under fjell.
Og gjenta hev eg lova - ho sveik meg likevel.
3. A Shaving Of The Horn That Spread You
[Gammelsaeter / O'Malley / Preston]
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