Heavy Metal Kids : Anvil Chorus
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HARD AT THE TOP
Waller/Holton/Peyronel/Boyce/Thomas
Warner-Tamerlane Publishing Corp.
I FINALLY FOUND THE FACE THE FROWN
THE FUN OF FAME I'M WEARING A CROWN
I SAW MYSELF IN THE STATE OF MAIN
MY NAME IN LIGHTS BUT IT'S NOT THE SAME
WELL WE RODE THROUGH THE LAND IN OUR SLICK GREEN VAN
WAITING FOR THE MAN TO GIVE US A HAND
THE CABBIES DON'T KNOW WHERE WE'RE COMING FROM
IF SOMETHING GOES WRONG I DON'T CARE
WE'RE SO STRONG
COS IT'S HARD AT THE TOP
BUT IT'S HARDER AT THE BOTTOM
AND IT'S NOBODY'S FAULT
IF YOU'RE SCARED OF SHOUTING
DOO, DOO, DOO, DOO, DOO, DOO, DOO, DOO ,DOO
I WAS SCARED AND SCARRED BARE AND BARRED
COS LIFE AT THE TOP WELL IT AIN'T SO HARD
IN A HOTEL ROOM I FACE THE GLOOM
BUT THE BAD OLD DAYS DIDN'T GO TOO SOON
NOW IT'S JET LAG RED FLAG HERE AND THERE
THE HAND THAT HE LENDS WELL IT AIN'T SO FAIR
NOW WE'RE OVER THE RAIN IN OUR SLICK GREEN PLANE
WITH OUR NAME IN LIGHTS AND IT'S STILL THE SAME
HARD AT THE TOP
BUT IT'S HARDER AT THE BOTTOM
AND IT'S NOBODY'S FAULT
IF YOU'RE SCARED OF SHOUTING
DOO, DOO, DOO, DOO, DOO, DOO, DOO, DOO ,DOO, YEAH!
HARD AT THE TOP
HARD AT THE TOP HARDER AT THE BOTTOM
HARD AT THE TOP
* * * * * * * * * * * * * * * *
YOU GOT ME ROLLIN'
Waller/Holton/Peyronel/Boyce/Thomas
Warner-Tamerlane Publishing Corp.
DONTCHA JUS NO IT
YOU GOT MEE ROLLIN DIS TIME
DRIVIN' ME CRAZY
SHOOTIN' ME RITE ON DAARN THE LINE
FEEL SO GOOD WHEN YA DARNS ALL NITE
YOU'RE SO FUNKY BABY IT'S ALL RITE
DANSE SO SLOWLY
WATCH YOU ROLLIN' UP REEL SLO
DIME A DOZEN
WHERE YOU CUM FROM BABI I NO
STARTS AT MI ED VEN IT GETS TO MA FEET
WHEN YA START SHAKIN' TO THAT R & R BEET
YOU GOT ME ROLLIN'
YOU GOT ME ROLLIN'
YOU GOT ME ROLLIN'
YOU GOT ME ROLLIN'
SHOOTIN ME RITE ON DOWN THE LINE
FEEL SO GOOD WHEN YA DANZ ALL NITE
YOU GOT ME ROLLIN'
YOU GOT ME ROLLIN'
YOU GOT ME ROLLIN'
ROCKING AND ROLLIN'
YOU GOT ME ROLLIN'
YOU GOT ME ROLLIN'
YOU GOT ME ROLLIN'
ROCKING AND ROLLIN'
* * * * * * * * * * * * * * * *
ON THE STREET
Waller/Holton/Peyronel/Boyce/Thomas
Warner-Tamerlane Publishing Corp.
SHE GOTTA DOWNTOWN RESIDENTIAL APARTMENT
SIX GUN IN HER BAG
A LADY-IN-WAITING TO CONTROL IT
BUT IT AIN'T SO BAD
SHE GOTTA BIG BOY EYES IN THE BACK OF HIS HEAD
DON'T GIVE A FEATHER OR FIG
HE TAKES GOOD CARE OF HIS NIGHT STREETWALKERS
DRINKS WHISKY WITH ICE
I KNOW THAT IT AIN'T TOO EASY WHEN YOU'RE ON THE STREET
ALL KINDS OF CHARACTERS THAT YOU MEET
SHE GOT INSULATION FOR THE NEIGHBOURS
THE NOISE IS SO BAD
HER MAN KEEPS SUCH CORRECT ACCOUNTS OF
THE CUSTOMERS SHE'S HAD
SHE GETTA WEEKLY REGULAR INCOME FOR
THE SERVICE THAT SHE GIVES
THE LIFE SHE LEADS IS SO UNLIKE THE LIFE THAT SHE LIVES
I KNOW THAT IT AIN'T TOO EASY WHEN YOU'RE ON THE STREET
ALL KINDS OF CHARACTERS THAT YOU MEET
* * * * * * * * * * * * * * * *
SITUATION'S OUTTA CONTROL
Waller/Holton/Peyronel/Boyce/Thomas
I'M JUST SITTING ON MY OWN
A INCH OF DUST ON THE TELEPHONE
I USED TO LIKE HER BUT IT'S ALL GONE WRONG
SITUATION'S OUTTA CONTROL
AIN'T GOT NOTHING ON MY OWN
A MAN NEEDS A WOMAN TO SING HIS SONG
I REALLY LOVED YA BUT IT DIDN'T LAST TOO LONG
SITUATION'S OUTTA CONTROL
SITUATION'S OUTTA CONTROL
I MET A WOMAN WHO TALKED LIKE A MAN
SHE TREATED ME LIKE I WAS MADE IN JAPAN
BUT I DON'T LIKE THAT
SITUATION'S OUTTA CONTROL
SOMEONE'S CLEANED THE TELEPHONE
NOW I WISH I WAS ALONE
I NEED A LADY BUT I GOT THE WRONG ONE
SITUATION'S OUTTA CONTROL
SITUATION'S OUTTA CONTROL
SITUATION'S OUTTA CONTROL
SITUATION'S OUTTA CONTROL
SITUATION'S OUTTA CONTROL
SITUATION'S OUTTA CONTROL...
* * * * * * * * * * * * * * * *
BLUE EYED BOY
Waller/Holton/Peyronel/Boyce/Thomas
Warner-Tamerlane Publishing Corp.
SHE'S MOANING, GROANING
GROANING FOR A BLUE EYED BOY
SHE'S NEEDING, BLEEDING
BLEEDING FOR A BLUE EYED BOY
SHE GOTTA LOTTA MONEY HONEY
SHE SAID SO
HE GIVE HER PLENTY RUN FOR HER MONEY
SHE SAID SO
HE TAKE HER HERE TAKE HER THERE
TAKE HER EVERYWHERE NOW
LOOKING FOR A BLUE EYED BOY
LOOKING FOR A BLUE EYED BOY
SHE'S RANTING, PANTING
PANTING FOR A BLUE EYED BOY
SHE'S PRAYING, A SLAYING
SLAYING FOR A BLUE EYED BOY
SHE GOTTA CHAISE-LONGUE FOR HER PLAY GAME
HE GOTTA PLAY GAME FOR HER CHAISE-LONGUE
HE TAKE HER HERE TAKE HER THERE
TAKE HER EVERYWHERE
LOOKING FOR A BLUE EYED BOY
LOOKING FOR A BLUE EYED BOY
SHE SAID SO
SHE SAID SO
LOOKING FOR A BLUE EYED BOY
LOOKING FOR A BLUE EYED BOY
BLUE EYED, BLUE EYED BOY
BLUE EYED, BLUE EYED BOY
* * * * * * * * * * * * * * * *
OLD TIME BOOGIE
Waller/Holton/Peyronel/Boyce/Thomas
Warner-Tamerlane Publishing Corp.
MY MAMA AND MY PAPA TOOK ME OUT ONE NIGHT
THEY SAID THAT THEY WOULD TAKE ME DANCING
SO I TOOK SOME DOLLS AND I STARTED TO ROLL MY EYES
AND TO MY SURPRISE
WELL WE ARRIVED AT A HALL IT WAS CALLED A BALL
BUT THE PEOPLE WERE JUST ROMANCING
THEY DID A DANCE CALLED THE FOXTROT ALL NIGHT LONG
BUT THERE WAS ONE THING WRONG
I NEED OLD TIME BOOGIE TO ROCK MY SOUL
OLD TIME BOOGIE TO ROCK AND ROLL
BUT THE BAND PLAYED ON SEEMED LIKE ONE LONG SONG
COULDN'T GET MY OWN FEET MOVING
I PRAYED AND CRIED FOR A BACK BEAT FOR MY SPINE
COS I WAS FEELING FINE
NOW PLAY ME OLD TIME BOOGIE TO ROCK MY SOUL
OLD TIME BOOGIE TO ROCK AND ROLL
WELL SO I STROLLED RIGHT ACROSS THE BALLROOM BORE
AND I ASKED THE BAND IF I COULD SING A LITTLE SONG
I GOT RIGHT ON THE MIKE AND I STARTED TO LAY IT
RIGHT DOWN LIKE THIS AND THIS IS WHAT I SANG
(NOW YOU LISTEN TO ME SAY IT!)
I NEED OLD TIME BOOGIE TO ROCK MY SOUL
OLD TIME BOOGIE TO ROCK AND ROLL
I NEED OLD TIME BOOGIE TO ROCK MY SOUL
OLD TIME BOOGIE TO ROCK AND ROLL
I NEED OLD TIME BOOGIE TO ROCK MY SOUL
OLD TIME BOOGIE TO ROCK AND ROLL
* * * * * * * * * * * * * * * *
THE TURK
Waller/Holton/Peyronel/Boyce/Thomas
Warner-Tamerlane Publishing Corp.
Instrumental
* * * * * * * * * * * * * * * *
CRISIS
Waller/Holton/Peyronel/Boyce/Thomas
Warner-Chappell Music, Inc.
YOU'RE OLDER MUCH BOLDER THAN THE LAST WORLD WAR
YOUR VOICE NOT MY CHOICE
JUST A BLOODY BORE
I KNOW, RIGHT NOW WHAT'S TO BE DONE
YOU'RE OUT JUST GET OUT AND GO HOME TO MUMMY
I DON'T NEED YOU
DON'T NEED YOU
FOR ME CRISIS
I DON'T NEED YOU
GOT ME OWN
YOUR FACE, A DISGRACE, MAKES ME FEEL SICK
YOU THINK YOU'RE IT, A SLICK DICK
BUT YOU'RE GOING TO GET STICK
DON'T TRY TO LIE, YOU'RE INDISCREET
IF YOU AIN'T CAREFUL YOU'LL BE RIGHT OUT
WHERE YOU BELONG ON THE STREET
I DON'T NEED YOU
DON'T NEED YOU
FOR ME CRISIS
I DON'T NEED YOU
GOT ME OWN
I KNOW RIGHT NOW WHAT'S TO BE DONE
YOU'RE OUT, JUST GET OUT, AND GO HOME TO MUM
DON'T TRY TO LIE, YOU'RE INDISCREET
IF YOU AIN'T CAREFUL YOU'LL BE RIGHT WHERE YOU BELONG
ON THE STREET
* * * * * * * * * * * * * * * *
THE COPS ARE COMING
Waller/Holton/Peyronel/Boyce/Thomas
Warner-Tamerlane Publishing Corp.
WENT ALONG THE PALAIS ON A SATURDAY NIGHT
ME AND THE BOYS WE GOT INTO A FIGHT
A GUY PULLED A KNIFE WITH A GRIN ON HIS FACE
SAID WATCH OUT BOYS
THE COPS ARE COMING
THE COPS ARE COMING
YOU'D BETTER LOCK YOUR DOOR IF YOU DON'T DIG JAIL
WELL I WAS WAITING IN A CHEMIST WITH A BRICK IN MY HAND
I NEEDED SOME PILLS TO MAKE ME FEEL GRAND
I WAS ABOUT TO GIVE THIS WINDOW MY LOT WHEN
(THERE WAS THE COPS )
THE COPS ARE COMING
THE COPS ARE COMING
YOU'D BETTER LOCK YOUR DOOR IF YOU DON'T DIG JAIL
AS I APPROACHED THE FREEWAY ON THIS HOT AND SWEATY DAY
I SAW A YOUNG PIG FRESH FROM THE FARM
NOW I DID NOT WISH HIM ANY HARM BUT TO MY ALARM
HE SPAT ON MY BIKE
I NO LIKE
SO HE ON HIS TRIUMPH AND ME ON MY HARLEY
STARTED TO HAVE A LITTLE RONDULA
I TOOK HIS RIGHT FLANK WITH MY MACHINE-LIKE TANK
AND GAVE HIM A CHEESECAKE GRIN
I TOOK A CHAIN AND FELT IT WRAP AROUND HIS CHIN
AND HIS HEAD FELL OFF
I MET A LITTLE GIRL SHE WAS BARELY THIRTEEN
ME AND THE BOYS WERE GOING TO GIVE HER A SCENE
I WAS SO ZAPPED GONNA GIVER HER MY LOT WHEN
THE COPS ARE COMING
THE COPS ARE COMING
YOU'D BETTER LOCK YOUR DOOR IF YOU DON'T DIG JAIL
* * * * * * * * * * * * * * * *
THE BIG FIRE
Waller/Holton/Peyronel/Boyce/Thomas
Warner-Tamerlane Publishing Corp.
THEY WERE EATING AT HOME
THEY WERE WALKING ALONE
THEY WERE WATCHING THE STONES ON THE VIDEO
ALL THE KIDS IN THE STREET
ALL THE PEOPLE YOU MEET
ALL THE FLOWERS AND BEADS IN THE GUTTER
YELLOW CABS ON THE RUN
NOONE CARRIES A GUN
FOLKS ARE HAVING SOME FUN AT A PARTY
SOMEONE LOVED AT FIRST SIGHT
TEACHER SAID IT WAS RIGHT
AND THEY DREAMED OF THE NIGHT
THEY WERE DREAMING
AND THE DAY CAME AND THE DAY WAS NIGHT
AND THE SKY HAD GONE AND THE GROUND WAS BRIGHT
THEN YOU HEARD THEM SHOUT AND YOU HEARD THEM CRY
IT'S THE BIG FIRE, MY SOUL, IT'S THE BIG FIRE YES I KNOW
IT'S THE BIG FIRE, MY SOUL, IT'S THE BIG FIRE
ALL THE TIME THAT IT TOOK
ALL THE BEST THINGS TO LOOK
ALL THE MUSIC AND SIGHT THEY WERE DRAININ'
WHEN IT CAME TO THE DAY
ALL THE SKIES THAT WERE GREY
WHEN THEY THOUGHT OF THE NIGHT THEY WERE BURNIN'
AND THE DAY CAME AND THE DAY WAS NIGHT
AND THE SKY HAD GONE AND THE GROUND WAS BRIGHT
THEN YOU HEARD THEM SHOUT AND YOU HEARD THEM CRY
IT'S THE BIG FIRE, MY SOUL, IT'S THE BIG FIRE I KNOW
IT'S THE BIG FIRE, MY SOUL, IT'S THE BIG FIRE
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