In the Red

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Band Name CIA
Album Name In the Red
Type Album
Data de aparición 1990
Estilo MusicalThrash Metal
Miembros poseen este álbum21


1. Extinction
2. Natas
3. In the Red
4. Buried Alive
5. N.A.S.A.
6. Mind Over Matter
7. Flight 103
8. Moby Dick Pt. 2
9. Turn to Stone
10. Samantha

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Crónica @ venom83

16 Diciembre 2010

Decent release. Nothing revolutionary or groundbreaking.

Nuclear Assault were regarded as one of the progenitors of the east coast thrash movement along with Overkill, Anthrax, Whiplash and a few others. One of the individuals who played a vital role in their brutal sound was the drum battery, Glenn Evans. C.I.A happens to be a side project of his on which Glenn wanted to try out something different while still retaining much of the thrash crunch of NA. There are definite hardcore influences drawn from NYHC. The result overall is good but rather patchy and sometimes becomes a bit of a head scratcher. Glenn does a decent job in handling the duties on the instruments though with some able back up from fellow NA bandmates Anthony Bramante and Dan Lilker but his vocals are definitely a weak point.

The production is good with a lot of emphasis given to the sound of the drums (for obvious reasons). As far as the guitar riffs are concerned, they are all over the place in way that you listen to one good riff and you’ll have to wait a little to hear the next good one. But as far as the catchiness is concerned, I won’t deny that there are quite a few moments where you will find some rather interesting stuff. “Extinction” has a rather 80s inspired thrash riff with some good if not killer bass fills in the beginning and the middle and is arguably the best song on the album. The title track and “Buried Alive” are two other tracks that sound good with the latter having a pretty good guitar solo. The rest of the album meanders towards almost mediocrity with just a thing or two that keeps the level of interest high. The ballad “Samantha” is something that could have been good had the lyrical content and music been worked on a little more but just ends up becoming a throwaway track.

Basically this release is not meant for anyone who’s looking to listen to an absolute stunner of a record with lasting value. I would go as far to say that this should only be checked out by listeners of thrash and crossover who favor some good headbangable moments over lyrics. Moreover, if you like Nuclear Assault, there’s no reason why you wouldn’t like this.

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