Woods IV: The Green Album

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Band Name Woods Of Ypres
Album Name Woods IV: The Green Album
Type Album
Released date 13 November 2009
Music StyleDoom Black
Members owning this album34

Tracklist

Re-Issue in 2011 by Earache Records
1. Shards of Love 05:18
2. Everything I Touch Turns to Gold (Then to Coal) 05:03
3. By the Time You Read This... I Will Already Be Dead 06:30
4. I Was Buried... in Mount Pleasant Cemetery 07:58
5. Dirty Window of Opportunity 05:14
6. And I Am Pining (for You) 08:15
7. Wet Leather 04:31
8. Suicide Cargoload (Drag that Weight!) 04:04
9. Halves and Quarters 02:25
10. You Are Here with Me (in This Sequence of Dreams) 01:41
11. Retrosleep (in the Morning Calm) 03:25
12. Don’t Open the Wounds 04:58
13. Natural Technologies 04:54
14. Mirror Reflection 07:03
15. The Long Life in the Limbo Union 04:08
16. Move On! (the Woman Will Always Leave the Man) 03:01
Total playing time 1:18:28

Review @ heavymetaltribune

15 March 2011

cross breed between heavy, doom and black metal

Bands with the melodic black metal tag tend to push me away, with bands such as Catamenia and Agathodaimon instantly coming to mind, and Woods of Ypres's fourth release, Woods 4: The Green Album had the similar effect. However, on the first listen of this album it seems that Woods of Ypres is hardly the conventional melodic black metal band at all.

Woods 4 opens with Shards of Love, with a melodic and melancholic guitar line backed by a wind instrument. As the distortion guitars play the first notes, Woods of Ypres brings to listeners their take on black metal, with heavy riffs and an atmosphere to match the music, moving at a doom metal pace. David Gold's clean vocals sound like a richer and more emotional version of Opeth's Mikael Akerfeldt, a nice complement to the sad lyrics on the songs on the album. The layering of clean vocals and growls present throughout the album, such as on Everything I Touch Turns to Gold certainly add a nice touch to the music, adding to the disparity already present and the heaviness in the listener's heart.

Songs such as You are Here with Me test and display Gold's vocal prowess as he hits every note with ease, yet manages to maintain that emotional quality in his voice. The transition between melancholy and aggression on tracks such as By the Time You Read This are surprisingly smooth and not awkward, before the transition again to the next track, the piano introduction of I Was Buried Under Mount Pleasant Cemetery. It is also on songs such as this that the band proudly displays their black metal roots, with blasting drums, aggressive riffs and gruff black metal vocals towards the end of the track.

It is also interesting to see how Woods of Ypres is able to keep the listener engaged on tracks as long as 8 minutes, in the album that runs close to 1 hour and 20 minutes. The numerous transitions between the different styles present in the music certainly helps in making sure that things do not get too boring, and leaves new listeners to Woods of Ypres wondering what else the band has up their sleeve that can bring new surprises. The spoken vocals included on Dirty Window of Opportunity blends in well with the mood and the intended effect of highlighting the tension present in the song, before ending with a tasteful guitar solo. And I Am Pining For You also presents to listeners the faster paced side of the band, a break and a breath of fresh air compared to the initial slow and deathly pace that the band has travelled at thus far

The chorus vocals on songs such as this also remind listeners of "heroic" folk metal bands such as Turisas, and while such moments are few, the band utilises them to good effect whenever applicable. Wet Leather instantly brings to mind bands like The 69 Eyes with the rock 'n' roll style, but with a touch of black metal and the deep vocals of gold, reminding listeners that "life is just pain and piss, and everything is a scam..." A surprising tune with upbeat tempo for a song with lyrics as depressing and hopeless as such, yet Woods of Ypres manages to pull this off without any hint of awkwardness. The album finally ends with a small hint of light at the end of this dark tunnel that has been Woods 4, with sound advice from the band: Move On!

Looking at the song titles on this album though, it is easy to recognise Woods of Ypres' music to be bordering on depressive-suicidal black metal, with titles such as Suicide Cargoload (Drag that Weight!) and I Was Buried in Mount Pleasant Cemetery, among the 16 tracks present on the album. Somehow on music with clean vocals, I feel compelled to check out the lyrics, and it certainly gets interesting at times, with the exceedingly depressive and bordering-on-morbid lyrical themes.

Woods of Ypres' latest effort sounds like a cross breed between heavy, doom and black metal and is sure to alienate fans of particular genres. However, the ingenuity presented on this album will compel curious listeners of crossover genres to keep coming back for more. This is depressive metal done right. This is the kind of album that puts bands like Katatonia to shame.

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