Insanity

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16/20
Band Name Legen Beltza
Album Name Insanity
Type Album
Released date June 2003
Labels Crash Music
Music StyleThrash Metal
Members owning this album8

Tracklist

1. Hate 04:01
2. Legen Beltza 04:30
3. Insanity 05:31
4. Black Star 04:00
5. Dying 04:56
6. Nuclear Winter 04:13
7. Klaustrophobia 03:11
8. Eternal Life 03:36
9. Alaitz 03:52
10. Only Human 03:46
11. Awaits You 04:38
Total playing time 46:18

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 $19.22  6,87 €  12,37 €  £7.94  $23.15  6,87 €  6,87 €
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Legen Beltza


Review @ hack

17 June 2010
Legen Beltza is one of the most overlooked and underrated bands in thrash metal. They capitalize on 1980's style thrash, falling somewhere between the styles of bay area thrash and German thrash. This piqued my interest, because I'm a big fan of old school thrash. They formed in 1998 in Basque country, Spain. This 2003 release was their 2nd full length album.

The opening track, Hate, is a hyperdrive of explosive thrash energy. Though this song reminds me of Kreator, its speedy tempo is on a par with Destruction. Insanity has a dazzling guitar lead that sounds similar to those on the song, Eternal Ban, by Destruction. Alaitz also has some influences from Destruction.

The song, Dying, has a very pleasing melody. After about ten listens to this song, I could recognize that the guitar melody actually was borrowed from old 1960's California surf rock. This basic rhythm has been recycled and reused by many earlier pop bands and later by California punk rock bands. The lyrics seem to be a melancholic view of living, as though life is more trouble than it's worth. Anyhow the song sounds very good.

For the most part, each song on this album thrashes very melodically with a strong influence of Testament, as the common denominator. The vocals of Azkue even sound a lot like Chuck Billy from Testament.

This is a dynamite album from an artist that is obscure in the USA. They moved to central Spain from Basque country to expand their fan base. Obviously, that's not working for them. They need to tour outside of Spain, especially in South and North America. This album ought to become a classic. But it can't, unless they bring themselves out of obscurity. That's an injustice, because this album truly is a thrashterpiece.

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