Ligeia/
Nepenthe were a band in the
Kansas tradition, one of the more interesting traditions in the U.S. since zombies used to turn in the swamps of the south - but then again that was a completely different thing. The
Order From Chaos influence for a band from
Kansas City would be inevitable, of course, but these
Nepenthe (pre-
Ligeia) would also listen quite a bit to classic Swedish necromancy like
Treblinka,
Grotesque. This was still in the early 90's - sigh - and while I was cursing myself for having missed a local gig with
Asphyx at Fryshuset,
Nepenthe were preparing their first demo, "The
Conqueror Worm". The tape came in '93 and had apart from the title track "Gleaming
Eyes of
Darkness" and "On the Cheer of an
Eternity".
Keep your pens ready because here we have the first line-up change, when vocalist Joe was asked to leave and went ahead to form Serapis. In the talk with Chuck (below) you can read about the circles and schemes concerning Serapis-
Ares Kingdom, which is quite and interesting story in itself. However, by now
Nepenthe were one singer less but in the bassist Alex we are to find a most remarkable throat with time.
The band attracted label interest already in '94 in "a European label" which I suppose refers to Shivadarshana of
Holland, in charge a couple
Order From Chaos releases. The original 7"/mcd deal fell apart for whatever irrelevant reasons, but the material for the ep was already recorded and would, in the end, be released by
Eternal Darkness in
April '96. How any label on earth would find disagreements about releasing something like this is beyond me. I have to fight of Lovecraftian melodrama trying to find words for the corrosive
Death Metal with Alex Blume's bestial vocals. Side A has the re-recorded demo song "The
Conqueror Worm", and side B has a version of "In The Shrines of the Kingly
Dead", one of the rare cover versions with essence that you would find in the decade. All in all a 7" to bless the year it was released.
Before that, in february '95,
Nepenthe played their only gig which also was made available as the "
Live at Howard's" tape. It is an item worth having and if you concentrate you might be able to hear enough to discern most of their own tracks, the previously mentioned
Tiamat cover and also one of
Sathanas. The sound is really a bit questionable but what the hell.
For the rest of the year the band was muchly dormant, and it was also around this time that Alex would depart and we would see the remaining two members continuing under the name
Ligeia. Pat Brown tells about it in one of the few
Ligeia interviews around, in Ilbasha mag #4:
-Yes, (Alex) was the reason why we changed the band name to
Ligeia. He cried and cried and cried about changing it, and finally being the nice guy I am, I said "Gee wiz Alex!
That sounds like a super duper idea!" My comment didn't seem to phase him as he still continued to cry, so I kept talking. "Don't cry friend we can all be merry and happy if we all live in peace and harmony. How about we all go and listen to some
Lord Diabolus, that ought to cheer you up!" So, we ventured inte the dark Overton dungeon and put in the
Lord Diabolus "
Down There" demo. Well, Alex finally cheered up and we were all happy again. It's har not to feel super duper when listening to the happy upbeat dance tunes of
Lord Diabolus!
Well then,
Ligeia, now consisting of Pat and Chris, recorded two songs in
December '95-January '96 with David Cotton on stand-in bass, which would remain their final session. In the following spring we see Chris spending more time on
Vulpecula, playing not only the drums but also the pulsating atmospheric intros of that (now also deceased) band.
And the final
Ligeia session I spoke of - the songs are quite long but still retain the destructive sound of the 7", and the titles are "Oblivion" and "
Cycles of
Fire". The lyrics to the former are apparently by Poe, to the latter by
Keller. This recording was to be released on cassette through
Eternal Darkness in mid '97, as "In
Death Overshadow Thee", which somehow ran out in the sand and the material was almost forgotten... I however have heard talk about it being released as a 7" late this year.
~DAVTHVS
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