1. CHAINSAW CHARLIE (MURDERS IN THE RUE MORGUE)

[Charlie to Jonathan]
O.K. boy now here's your deal
Will you gamble your life?
Sign right here on the dotted line
It's the one you've waited for all of your life

[Jonathan to Charlie]
Ah - will it feed my hunger
If I swallow lies right down my throat?
Or will it choke me till I'm raw?
And tomorrow when I'm gone
Will they whore my image on?
I'll will my throne away, to a virgin heir and Charlie's slave

[Jonathan]
Murders, murders in the new morgue
Murders, murders in the new morgue
See old Charlie and the platinum armys
Making me their boy
Murders, murders in the new morgue
Murders, murders in the new morgue
He'll make ya scream for the cash machine
Down in Chainsaw Charlie's morgue

[Charlie to Jonathan]
We'll sell your flesh by the pound you'll go
A whore of wrath just like me
We'll sell ya wholesale, we'll sell your soul
Strap on your sixstring and feed our machine

[Jonathan to Charlie]
Ah - will it feed my hunger
If I swallow lies right down my throat?
Or will it choke me till I'm raw?
And tomorrow when I'm gone
Will they whore my image on?
I'll will my throne away, to a virgin heir and Charlie's slave

[Charlie to Jonathan]
Welcome to the morgue boy
Where the music comes to die
Welcome to the morgue son
I'll cut your throat just to stay alive
Ah, trust me boy
I won't steer you wrong
If you trust me son
You won't last very long

[Charlie to Jonathan]
I'm the president of showbiz, my name is Charlie
I'm a cocksucking asshole, that's what they call me
Here from my Hollywood tower I rule
I'm lying motherfucker, the chainsaw's my tool
The new morgue's our factory, to grease our lies
Our machine is hungry, it needs your life
Don't mind the faggots, and the ruthless scum
Before we're done, son we'll make you one
I'm the tin man, I've never had a heart
I'm the tin man, But I'll make you a star
I'm the tin man, I've never had a heart
I'm the tin man, but i'll make me the star


2. PHANTOMS IN THE MIRROR

Come look at me do you like what you see?
If you smash the mirror you'll still not be free
Look in the glass and you'll see who you are
And you'll run but you'll not run far
If you talk to me maybe I'll talk to you
We'll tell lies together but never the truth
Just you and me and I'll see what you do
You'll watch me, and I'm all over you

Come to the mirror my boy
I'm the face that you see
When the face isn't yours
A Phantom, I'm hiding inside
Yes I'm what you see
When you see in my eyes
My doctor said listen I'll help if I can
But you're psychosomatic so I'm not your man
The head doctor made me, give you what you need
Some sedation to stop what you see
But no one can help me
I hide in my room, but he moves and lets loose
My Four Doors of Doom
Just let me out, you'll see who I am
I'm controlling the man

Come to the mirror my boy
I'm the face that you see
When the face isn't yours
A Phantom, I'm hiding inside
Yes I'm what you see
When you see in my eyes

Don't act surprised
I see what you do
Can't let your....? And kill off the boy that's in you
Trust me you fool
The price that's inside you
Two will kneel
They can't see who they are
A reflection is cast
On a conscience of war
I am the mirror
The plaything of men
The true alter ego
The phantom within

Come to the mirror my boy
I'm the face that you see
When the face isn't yours
A Phantom, I'm hiding inside
Yes I'm what you see
When you see in my eyes


3. THE STORY OF JONATHAN PART.I

arration:

I was born Jonathon Aaron Steel, to the parents of William and Elizabeth steel. I am a Leo, born under the sign of the lion and I was raised in a lower middle class family with only one brother Michael whom I love dearly. He was five years my senior. My father's nickname was Red which I could never understand why because his hair was sandy blond. Nevertheless, the name stuck. So when my brother was born my father became Big Red and my brother Little Red.

I should have known from the first time when I realised their special connection, that I just didn't fit in to my father's plans. And as I grew older the constant comparison between my brother and myself left little doubt who was the image of perfection in my father's eye. To him, my brother could do no wrong and I became The Invisible Boy, the proverbial 'black sheep' and I soon figured out that red and black don't mix. The beatings I received became more and more frequent to the point where I would ask my father "Am I the orphaned son you would never need"? But oddly enough I worshipped the ground my father walked upon.

My brother and I were a strange mixture, as different as daylight and dark. Looking back, it's hard to imagine we came from the same parents. I sometimes wondered if we had the same father, but I always dismissed that idea as my mother was far too religious, my father as well, to ever even think of such a thing. But my brother who had always sensed my parent's instilled insecurities tried his best to encourage me. For I was born different and he knew it. He often told me when I was born an angel flew over my bed and christened me with a magic wand and said "You shall be the one." And I had no idea what 'The one' was, but as I grew older I began to understand. Most boys put their mother on a pedestal and worship them like the Virgin Mary but with her too my relationship was different and not for the good. She was opinionated, uneducated, sometimes prejudiced, overbearing, believed everything she read, true or not, and when it came to religion was over-zealous to say the least. A mind boggling combination but she was pretty, very pretty and I would often wonder, bordering on complete confusion, how a person of this description could rationalise life.

This was a series of characteristics that many times in my life I would look back on in bewilderment and the women I sought after when I was older would be nothing like her. In the pain of youth, the misery of my neglect, would manifest itself in many ways; depression - my enemy, fear - my friend, hatred - my lover, and anger - fuel for my fire. These four characteristics of my personality would become the guiding force of my life and would control everything I did or was to become. I shall explain later in the story about them which I call my Four Doors of Doom.

The mirror, the great plaything for man's vanity. The mirror was to become, at times, my altar of refuge and other, my alter ego and its magnificent obsession with a relentless pursuit of attention. It served as a chilling reflection of my own wretchedness and my greatness. It was the one place I could go to see inside myself, to find love, in an otherwise loveless household where I could be great, where I could be anything or anyone I wanted to be - one hundred percent pure escapism until I discovered its precious secret. The mirror lives, it breathes, it talks, it lies, it has a personality all its own. It is a genie that grants all the wishes you could ever dream, at least in my case - all except two.

It was my 14th birthday, the day that changed my life forever. My brother Michael, the one person who was my guiding light, my friend, my hero, was killed by a drunk driver in a head-on collision. He died instantly. I couldn't even bring myself to go to his funeral. My agony was so great I just couldn't come face to face with him that one last time. My failure to attend intensified my parents' resentment for me even more. But from that moment on, nothing seemed to matter, especially that living hell called 'home'. For one year after his death I roamed the streets in a fog barely conscious of anything or anyone. I discovered alcohol, and girls, drugs and in general a life I had never known which was exciting, frightening and wonderfully dangerous. And it was then as I staggered through a down town city street in one of my drunken rages I stumbled across a small music shop and in the window stood the instrument, the fiery tool that would become the object of my new found desire. The instrument of my passion, my obsession, the blood-red six string. It was like I'd known the thing all my life.

I soon found it was the only way I could truly express myself. It was a way to vent all my frustrations and all my pain - completely opened all my Four Doors Of Doom and I found myself going to the mirror for counsel less and less. Because of this my songs seemed to write themselves and I knew my destiny was in my music but I was going to have to get out of this backwards town I was in if I was ever going to succeed. I was 16 going nowhere and the only thing my parents knew was 'live, work, die.' And if I stayed there that was exactly what was going to happen to me - I was gonna die. So I ran away to the big city with the lights, excitement and danger and a chance for me to finally live and do my music without the persecution I had known for so long.

I hitchhiked all the way with a suitcase in one hand and my guitar in the other and as I stood at the edge of the city the magic of the place was incredibly intense. It was to be my new home the place I would call the 'Arena Of Pleasure'.