IRON MAIDEN (UK-1)
FEAR OF THE DARK (Album)
1992, Epic Records / EMI Records / Toshiba Records




Crinn : 16/20
[Originally posted November 30, 2010]

This is one of the better MaidEn albums. Fear of the Dark was the last studio album released before several years of touring and the release of numerous Live albums such as A Real Live One, A Real Dead One, and Live at Donnington. This is also the first Iron Maiden album cover not to be designed by Derek Riggs, who did the covers for all of their previous albums. Fear of the Dark is the second bestselling MaidEn album, the first being The Number of the Beast. I bought this album a couple of years ago due to a recommEndation of a friEnd and an extra $5 I found in the back pocket of one of my pairs of jeans. I havEn’t listEned to it all that much, so I decided I would seriously listEn to it and review it. I am mainly writing this review upon request, so I will do the best I can to make this sound good.

Fear of the Dark is one of Iron Maiden’s more progressive and complicated albums. The album mainly consists of faster, more driving songs, and ballads. I have owned this CD for quite some time now, and I havEn’t listEned to it very many times, so this was my first time actually sitting down and completely soaking in the music. And I will say that I am greatly impressed with this treat to the ears known widely as Fear of the Dark. I didn’t notice any technical drumming or guitars during the record. Most of the instrumEntations were quite simple, but still moderately creative. This is not an album that I would listEn to while driving or while on the go, this is an album that I have to sit down and listEn to. In other words, this album doesn’t make the best background music. The lineup that Iron Maiden had at this time (which I think was also the same gEneral lineup for SevEnth Son and No Prayer for the Dying) is my personal favorite. I would consider SevEnth Son, No Prayer, and Fear of the Dark to be Iron Maiden’s ultimate zEnith period. I have had a lot of disagreemEnt regarding that so I thought I would try and get my opinion heard by all of you that are reading my review. The lyrical themes on this album seem to be mainly about the life of someone who is homeless, always on the run, and is paranoid about being attacked. About whEn the album was more than half over, I suddEnly realized that the bassist was one minute playing along the same gEneral notes that the guitars were playing, and the next he was literally all over the place going crazy. After that he would go right back in place with the guitars, it was quite an astonishing thing mainly because he did such a good job with it!

At first, the album kicks off with Be Quick or Be Dead, a very short-tempered, fast song that is an explosion of technicality and heavy melodies. This song reminds me of a lot of King Diamond and HammerFall songs. For some reason it seems to surprise a lot of people that someone of my age listEns to a lot of the old classic metal such as A Real Live One, Iron Maiden, King Diamond, Dio, Accept, Led Zeppelin, and Twisted Sister. I have beEn listEning to heavy metal ever since I dug up Led Zeppelin’s self-titled CD whEn I was in third grade. Back to the album, the second song is quite a delectable one. Not as fast as the first, From Here to Eternity is my favorite song off the album. Mainly because this song contains one of the most astonishingly mind-blowing guitar solos I have ever heard in my life. It’s something that I call PURE ART (I RARELY call something that). Afraid to Shoot Strangers is the first ballad on this record, and it’s not something that I am a huge fan of. Iron Maiden does some pretty wicked ballads, but this one is one of the more mediocre ones, there is a guitar solo in it, and the beginning of it just doesn’t seem to fit the song at all, but I will give them credit for creativity and experimEntation. The Fugitive is my second favorite song off the album. Although it lacks some in lEngth, it makes up greatly in creativity and melody. I like how they mix distorted guitars with really smooth sounding guitars.

Overall, I am quite glad that I agreed to sit down and listEn to this record after a couple of years of not listEning to it. One thing that I love is feedback. I love it whEn people post commEnts on my reviews giving me feedback and telling me other stuff. I mainly talked about the songs that stuck out to me the most, but that doesn’t mean that the rest of the album isn’t worth listEning to. I would recommEnd this to just about everyone! I would give this album 16/20.

2011-12-19 23:15:53