Pinnacle of Bedlam

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Band Name Suffocation (USA)
Album Name Pinnacle of Bedlam
Type Album
Data de lançamento 15 Fevereiro 2013
Labels Nuclear Blast
Produced by Cincotta Joe
Recorded at Full Force Studio
Estilo de MúsicaBrutal Death
Membros têm este álbum176

Tracklist

1. Cycles of Suffering 03:56
2. Purgatorial Punishment 02:44
3. Eminent Wrath 03:40
4. As Grace Descends 03:04
5. Sullen Days 04:57
6. Pinnacle of Bedlam 03:42
7. My Demise 04:03
8. Inversion 03:50
9. Rapture of Revocation 03:49
10. Beginning of Sorrow 04:32
DVD (Digipack Edition)
1. The Making of "Pinnacle of Bedlam" 75:00
Total playing time 38:17


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Crítica @ miniradman

02 Dezembro 2013

Chaos Ensues

Suffocation (along with bands such as; Autopsy, Cannibal Corpse, Cryptopsy, et al...) is one of the very few influential death metal bands still active today. Despite being 20 years old, Suffocation have managed to keep up with the times and have put out consistently decent albums even in the recent years. Pinnacle of Bedlam is their latest piece in their line-up of technical death metal monstrosity and like many of their previous albums, it hits quite hard. However, dare I say, unlike some of the other more older death metal bands which are still around, Suffocation is one of the few which have seem to have kept up with the younger more agile bands in the scene. In terms of technicality and brutality, Suffocation is on par with; The Faceless and Fleshgod Apocalypse, both of which are notoriously quick modern death metal bands. I think this is a part of the key to Suffocation’s success even in the recent years, and let me tell you, Pinnacle of Bedlam will give even the young guns a run for their money.

The album title “Pinnacle of Bedlam” hits the nail on the head, because all this album is, is complete and utter bedlam. This is one chaotic piece of technical death metal, with most of the album containing a transition to a new hectic passage every few seconds or so. The drumming, guitar working and vocals are all mixed together with the aim of creating nothing short of an earsplitting wall of sound in mind. From the very start of the album, to the final seconds you are barraged by Suffocation’s sheer technicality and brutality, breaks in Pinnacle of Bedlam are very few and far between. Although I may have not all of Suffocation’s previous albums, Pinnacle of Bedlam tends of move in a different direction to their previous albums.

The band seems to focus more on the speed and technicality aspect in their music, which means that the music is starting to tend away from creating a thick and heavy atmosphere which was their main focal point in some of their previous albums. Even from a production standpoint, the increased production quality in comparison to their previous works have thoroughly emphasized the modern aspects in their music and renders less of the “primitive” stuff as obvious. Now I am not saying that the thicker passages are non-existent, there are still a few heavy moments (some moments still are true to the traditional death metal) throughout Pinnacle of Bedlam which are sure to get the head bobbing, it’s just that they aren’t as common or as proficient as in previous albums. The most notable slam is at the end of “Beginning of Sorrow” which was indeed an awesome way to end the album. Now I cannot comment on whether or not this takes away from the overall quality of the album, because the Suffocation aesthetic is still present so it would not matter either way.

Like I’ve touched on earlier, the production quality of Pinnacle of Bedlam is slightly different in comparison to their previous albums. The higher end style of tuning and equalization has been set to physically give a much more modern feeling to the music. The drumming is much snappier and sounds less like an empty container then previous releases. The guitars are very distorted with harsh and rasp sounds being the aim of the game. In terms of how much sound is occupied by each of the musical instruments, the guitars and drumming seem to take precedence and displaces the vocals ever so slightly behind. Not enough to completely void and drown out the vocals completely, but enough to notice what is going on. Maybe Suffocation have figured that their “whispered growls” (I’m sorry, but that’s the only way that I can describe it) might not be enough to keep up with the rest of their music, considering that they’re trying something slightly different in Pinnacle of Bedlam. Although these vocals do come out during the slower slammier parts of the album.

Although Pinnacle of Bedlam is a pretty good mash up of death metal, there are a few point which let this album down. The thing which really lets this album down the most is how linear it is, there really isn’t any sea change throughout the whole album at all. Although each of the passages are unique in terms of what is actually written; the aesthetics, tones and musical diversity are all relatively monotonous and constant. Once you have heard one track, you have pretty much heard it all, even though each track might contain a different “slam to brutal” ratio. This really lets the album down because it doesn’t really seem to let any particular track stand out. In terms of flaws in Pinnacle of Bedlam, this is definitely the killer.

Another thing that really annoys me about Pinnacle of Bedlam (and Suffocation in general) is the fact that they absolutely need a solo is every god damn song. Not only are they too common, but it seems like they’re thrown in randomly throughout each song, which interrupts the flow and development of the particular song (however this style of technical death metal, interruptions are all part of the game). Although the solos are a little more complicated than I expected from Suffocation, the fact that they are so common throughout the album, it removes the strength from them. As a result of this, I cannot really say that there is a particularly memorable solo that I can take away with me after I hear this album.

Pinnacle of Bedlam still shows that Suffocation is still of the heavy hitters in the death metal scene even after 20 years. The sheer chaos that ensues this album is only precedent in some of the other chaotic death metal bands which come to mind at the thought of technical death metal (ie. The Faceless or Viraemia). Suffocation have successfully built a strong intense base sound and have supported it with gut-wrenching brutality and slamming, which has the very essence of death metal at its center. Although there are a few blunders which incur in Pinnacle of Bedlam which prevent it from being death metal album of the year (such as how monotonous this album can be at times) it doesn’t seem to take that much away from quality of the album to the point of being complete boredom. The 40 or so minutes flew by quickly when I first heard this album and I came out unfatigued (which is always a great sign). Even though there aren’t many stand out tracks due to how similar they all are, “Sullen Days” stands out to be one of the more diverse songs in Pinnacle of Bedlam. Overall, the chaos that ensues Pinnacle of Bedlam is an enjoyable listen, I highly recommend this to any death metal or even deathcore fan out there who is relatively into fast paced and complex technical death. I give The Pinnacle of Bedlam a 15/10.

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